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阿美族

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2014/7/06~[阿米斯不簡單之愛的不單行]--舒米恩&希巨蘇飛&蔡政良的不丹影歌分享會

2014/7/06~[阿米斯不簡單之愛的不單行]--舒米恩&希巨蘇飛&蔡政良的不丹影歌分享會

2014/07/06傍晚七點,

三個阿米斯男人,
一個是新生代音樂創作歌手,
一個中生代國際知名木雕藝術家,
還有一個歸化阿米斯的"輕壯年"人類學家,
結伴飛越萬重山,去了一個跟台灣東海岸徹底不同的群山中的小小國度~~不丹!
海邊的老孩子,在世界最高的山脈中,發生了什麼樣有趣的故事?
在那呼吸都很困難的稀薄高山空氣中,舒米恩和希巨蘇飛如何唱出阿米斯的海肺之歌?
而蔡政良又如何透過影像述說兩個八竿子打不著的民族奇遇呢?

周日晚間傍晚七點,到月光小棧,吹吹都蘭山的冷氣,在月光星空下,聽這三個阿米斯男人不簡單的不丹旅行故事!

2014/4/19~[漂流之歌]--范志明的手作漂流木吉他個展

2014/4/19~[漂流之歌]--范志明的手作漂流木吉他個展

展期:4/19~5/11
開幕茶會:4/19下午四點半
開幕演出:4/19下午五點,"都.藍調"樂團

對志明而言,漂流木吉他的手作過程,
是一種實踐,一種療癒,一種紀念,
讓創痛與死亡的力量,轉化為
有形式、有質量、有溫度的生命之歌,
無論身處何時、何地,只要撥動琴弦,
這些原本深深扎根在山林大地的靈魂,
以及它所蘊含的意義,將永遠以各種音樂形式流傳並被人們所聽見.....

2009的莫拉克颱風,讓整個東海岸每一吋海岸都被厚厚的漂流木附蓋,這讓每一年夏天都在等待颱風過境,期待與漂流木相遇的東海岸藝術家們深深震撼,這是頭一次創作者看見漂流木沒辦法快樂,而是深深的悲慟與巨大的恐懼,大自然以慘烈的力量狠狠的刷洗人類無止盡的貪婪。於是這些年來,志明專注地浸淫在漂流木吉他的研究與創作裏,他說:

吉他和貝斯,雖然並不是原住民傳統樂器,但是早在我父母親那個年代,它就已經存在我們的生活中,一堆火、一把吉他,長輩親友外加左鄰右舍都會圍著它歌唱,唱出生活的苦與樂,一直Am到天亮,演變到後來,無論是在農田裡、林班地、遠洋漁船還是建築工地,吉他的彈唱文化早已紮根於我們原住民的情感、記憶甚至於我們的生命裡。
國中二年級時,我自己也曾經用釣魚線、腳踏車煞車線、建築工地撿來的舊板模以及學生文具店買來拾音器,親手打造了第一把專屬於自己的電吉他,可惜出社會之後迫於生活,我沒有持續著從事這一行,我在大城市裡做過很多工作,直到踏入藝術界從事各種媒材的創作,原以為經由這些實踐,我找到了能量的出口,卻始終無法忘懷於吉他製作,當然,在此過程中,我自己也有在彈彈唱唱玩團、玩吉他,而且藉由不斷的幫朋友修理壞琴,解決關於吉他、貝斯的各種疑難雜症,卻也意外的維持了我對吉他的熱情與求知慾望。
現在,繞過大世界一圈,是時候該把夢想實踐了,尤其經過八八風災(莫拉克颱風)的震撼後,我想創作一系列的風災手工紀念琴,讓人們在山林大地之前學會謙卑,學會省思,同時想把我醞釀已久的夢想實現,把漂流木的價值再提升,千百年來,這是上天恩賜給我們的禮物,我們都用它當燃料、當建材、做傢俱、做作品,每一小片木材我們都抱著感恩的心充分利用,我不希望每當颱風過後它只被地方政府聯合商人炒作,或是被環保局清空海岸拿去攪碎當肥料,讓天災之後,緊接而來是更大的貪婪的人禍...。
製作一把手工琴,我所選用的木材均為經過太平洋洗禮的漂流木,而且是台灣本土原生種,從設計、選材、裁切、外觀打磨、鑿刻、膠合,製作琴格、琴碼、琴橋,到自製拾音器、安裝電路系統,搭配電、木兩用吉他發明專利系統,以及最後的組裝、烤漆與試音等,都是一種實踐、一種紀念,讓八八風災帶給人們的反思,從無形的傷害,換化成一把把有形的吉他或貝斯,使人們無論身處何時、何地或任何空間氛圍,只要撥動琴弦,這些原本深深扎根在山林大地的靈魂,以及它所蘊含的意義,將永遠以各種音樂形式流傳並被人們所聽見。

2013/6/22~8/5[海央~]--了嘎.里外的海洋生活美學個展

2013/6/22~8/5[海央~]--了嘎.里外的海洋生活美學個展

[描述]
6/22週六下午四點,
來自花蓮秀姑巒溪與太平洋交會處的港口部落,
邦查(阿美族)的海洋生活藝術家 了嘎.里外,
將在月光女妖藝廊,發表他最新的漂流木創作。
敬邀各位舊雨新知,到月光來,面對無限遼闊美好的太平洋,
欣賞太平洋浪花與海風浸潤孕育的美麗作品!
四點的開幕茶會,女妖藝廊備有精緻茶食以佐佳作,
六點整還有來自太巴塱部落的白螃蟹樂團精彩演出哦!

創作者了嘎如是說:
海洋,涵養著多重的意義與哲理。海洋,滿載智者的語言,讓我得以用謙卑的心來傾聽。海洋,象徵豐富漁獲的同時,讓我得以通過觀察來模擬波瀾動態的美感線條。海洋,她更是一首無止盡的樂曲,智者的吟唱,時而低沈輕柔,時而引吭高歌。

因為海洋,我認識了千變萬化的漂流木,從中我看到了海的力量,也看到了木的堅毅,而藝術對我而言,就是海與木的相遇。因此「來自海洋的生活美學 」是我這次所要展出的主題。企圖表現出文化背景、成長環境的印象,傳遞海洋孕育的豐沛生命力,也試圖從部落文化與現代生活之間找到連結,發展出獨具個人信仰的藝術創作。除了在造型或結構上模擬海潮外,讓作品不單局限於裝置藝術品,而是讓海洋文化能融入現代生活,成為一種新的生活美學。

2013/1/5[請慢用...]--伊祐.噶照木雕個展在女妖

2013/1/5[請慢用...]--伊祐.噶照木雕個展在女妖

2013/1/5~2/18
來自大港口的邦查族青年木雕藝術家 伊祐.噶照
將在月光小棧女妖藝廊,發表他近年來最完整的力作
[請慢用...]
當樹還是樹,它生長,開花,結果,
落下的果實,長出更多的樹,努力為這個星球呼吸,
穿透地表的盤根,努力為萬物涵養著生命的汁液。

但人類包山包海無止盡掠奪著,原是萬物共享共榮的空間與資源,
於是樹不再是樹,而是山老鼠眼中的一截一截可以換鈔票的木頭,
而鈔票不能繁衍生生不息的生命,卻製造了永不饜足的貪婪之心。
於是我們在短短幾十年間,將幾十億年累積生成的一切揮霍殆盡,
地球生命的時鐘早已開始倒數,我們還剩下多少時間,
尋回這奮力穿透水泥,仰天滋長發芽,同時俯地紮根,
這最原初而單純的生命力?

2013/1/12 星期六傍晚四點,開幕茶會,
由伊祐與他的兄弟們組成的"項鍊樂團"+聞名遐邇的港口部落風味美食,烘托伊祐精采的作品,等您來品味共賞!
為愛地球,請盡量自備碗筷餐具喔!

2012/11/03[流連Fafugod~東河影像史詩走廊]--東河部落老照片紀錄展

2012/11/03[流連Fafugod~東河影像史詩走廊]--東河部落老照片紀錄展

展覽地點:台東縣•東河鄉•東河村•東河舊橋
展期:2012/11/3~2013/4/27
主辦單位:交通部觀光局東部海岸國家風景區管理處、台東生活美學館
策展單位:女妖在說畫藝廊、東河社區發展協會

展覽開幕晚會:2012/11/3(六)下午3點
展出內容:
Fafukod部落(東河部落)歷史影像與文件展,由部落居民收集整理家族生活老照片,透過影像述說Fafukod阿美族年齡階級文化、近百年的產業生活歷史與日常生活智慧的點滴疊映,陳列在連結、承載Fafukod生活空間與歷史記憶的東河舊橋兩側,並邀請藝術家以就地取材的天然材質,設計橋兩端的入口意象,透過視覺裝置藝術畫龍點睛的效果,烘托這些珍貴的影像紀錄,營造穿越時空的歷史走廊。
大自然千萬年雕琢的馬武窟碧綠溪谷、白雲母巨岩、蒼翠山林與湛藍海洋上,一道名列台灣歷史百景之一的獨特古橋,一個溪谷與海洋滋養茁壯的部落故事…一段跨越此岸與彼岸的奇妙相遇……

活動期程:
11/3開幕茶會:1.都蘭薪傳舞團表演
2.馬拉道樂團演唱
3.都蘭部落小歌星潘永傑。
4.後山傳奇郭明龍演唱。
5.東河部落黃光福與多莫演唱
6.吟遊詩人達卡鬧演唱

2012/06/30[月光下,輕快的唱...]以莉.高露+陳冠宇的月下演唱會

2012/06/30[月光下,輕快的唱...]以莉.高露+陳冠宇的月下演唱會

熱騰騰的金曲歌后來囉!

2012/6/30星期六,傍晚6:00

剛剛榮獲金曲獎三項提名,然後三項全拿獎的超強阿美族女歌手~以莉.高露

與她的專輯製作人也是生命伴侶的陳冠宇,就要登上月光女妖的舞台啦!

以莉的歌聲當然是沒話說的好聽,性感的低沉慵懶與知性的清澈嘹亮,

而她的音樂創作就像是陽光下洋溢著泥土與稻穗芳香的靈魂之歌..

她的另一半陳冠宇,也是知名的實力派音樂創作人,從早期的[交工樂團]到近期的[好客樂團],

而讓以莉高露奪下今年金曲獎,[最佳新人],[最佳原住民演唱人],[最佳原住民語專輯]的[輕快的生活]專輯,

就是他們共同孕育的美麗創作!

除了音樂,這對神鵰俠侶的生活中最重要的事,就是種田,堅持自然有機農作,

2012/06/17[心要像月亮]阿洛.卡力亭.巴奇辣的月光演唱會

2012/06/17[心要像月亮]阿洛.卡力亭.巴奇辣的月光演唱會

  6/17星期天下午4點,阿美族姑娘~阿洛.卡力亭.巴奇辣,
將在月光女妖舉辦阿洛「太陽月亮」新專輯全台巡迴演唱會
如太陽般耀眼,如月亮般柔情似水,時而伶俐幽默,時而甜美可愛,
能歌能演能主持,風情萬種的阿美族天后阿洛!

6/25從都蘭到新幾內亞~蔡政良Futuru Tsai新書發表八個浪因雨改在都蘭部落老人與青少年聚會所[都蘭國小下方]

6/25從都蘭到新幾內亞~蔡政良Futuru Tsai新書發表八個浪因雨改在都蘭部落老人與青少年聚會所[都蘭國小下方]

滲透都蘭二十年,從苗條瓜子臉少年到'粗壯穩重'氣質熟男,
從傻呼呼的熱情大學生到當代台灣人類學界最另類跳Tone的新新學者,

目前任教於台東大學南島文化研究所的蔡政良又要出書囉!
人稱阿良的蔡博士是個被都蘭阿美族同化到骨頭裡的新竹客家人,
⋯⋯2009年出版的"石堆中的人類學家"是阿良第一本著作

舒米恩2010首張母語創作專輯全球巡迴演出故鄉篇~月光女妖high翻天

舒米恩2010首張母語創作專輯全球巡迴演出故鄉篇~月光女妖high翻天

都蘭部落土產演歌雙棲大明星~舒米恩Suming,
應該完全不用寫什麼文案,您就很了了吧!
2010.7.4星期天下午,舒米恩將帶著他最新的創作專輯回到都蘭部落,
在月光小棧女妖藝廊與家鄉的親友粉絲們歡唱共舞哦!
這張最新專輯也台灣第一張原住民母語電音時尚創作大碟,
舒米恩說,有聽沒有懂的韓文歌、英文歌、法文歌甚至泰國歌都會紅, 為什麼"美語歌"不行呢?
因此舒米恩立志將阿美語變成一種時尚潮流, 把電音、嬉哈等當代元素融入他的音樂中,
變成可以唱、可以跳、 又可以學習阿美語單字,還可以感染一點阿美人生活情境的動感舞曲!

請你記得我~塞爆月光小棧的拉千禧與Suming粉絲們~月光小棧2010/01/01

請你記得我~塞爆月光小棧的拉千禧與Suming粉絲們~月光小棧2010/01/01

這位台東縣史有紀錄以來第一位奪下2008金馬獎的”樂團主唱”,
在外地,他擁有成千上萬的歌迷與粉絲,
但回到部落,他只是一顆小小的螺絲釘,同樣要倒酒掃地,
卻懷抱著令人難以想像的夢想,這兩年的演唱,
一直在為部落青年傳承的訓練籌劃與募款,
這個傻瓜,竟然將這兩年自己的演唱所得,全部投進巴卡路耐(部落未成年青少年)訓練的經費。
但他又不要別人捐款,他希望部落與自己和巴卡路耐都能靠自己的能力與雙手掙錢,
來籌募部落傳承的基金!
今天,在月光小棧(其實也是都蘭部落的一部份),看到這麼多的粉絲與支持者,
才驚覺Suming的魅力,而Suming也有再提到募款的部份,
只是多麼的希望大家能夠瞭解,其實支持Suming的演唱或購買他的創作品,
就同時在協助部落傳承的訓練。
我們也同樣會偷偷贊助他們,但並不是要扭曲他要靠自己的力量籌款的自主權,

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